Video Editing Storage Calculator: 4K, 6K and 8K Footage

Free local-only production planner · Updated August 11, 2026
Plan the working drive, backup and offsite copies together

Calculate the storage your whole production needs—not just the camera-card total. Add multiple sources, then separate fast active storage from protected local backup and offsite/archive capacity.

Quick answer: one hour recorded at 100 Mbps is about 45 GB before proxies, optimized media, cache, masters, backups or free-space headroom. Resolution alone cannot tell you the answer: a 4K all-intra setting can consume more space than a more compressed 6K setting.

Plan the complete video-editing storage workflow

Start with one row per recording source. Choose a manufacturer-documented preset or enter the exact bitrate shown in your own camera manual. All percentages and copy counts are editable.

Private by design: calculations and project-plan downloads run in your browser. TPTK does not receive or store your entries. Anonymous events may record that the calculator or a download was used, but never your labels, bitrates, hours, assumptions or calculated capacity.

Editable workflow assumptions

“Preserve 20% free” means the calculated project may occupy at most 80% of the active volume. It is not a hidden 20% markup.


Default example: one camera, two hours at 140 Mbps.
Fast working volume0.28 TBProvision a 0.5 TB or larger active volume
Local protected backup0.20 TBOne additional protected copy
Offsite / archive0.20 TBOne protected copy away from the working volume

Original footage126 GB
Protected working set201 GB
Regenerable media23 GB
Total provisioned across destinations0.68 TB

Default interpretation: do not buy an 8 TB active SSD for this example. A 0.5 TB active tier covers the project with 20% left free, while protected copies can use separate backup destinations.

Choose the next hardware step

Use the calculated capacity to choose a role first. These guides are separate from the calculator so product recommendations can be maintained without changing the storage math.

Single editor

Portable active volume

For one editor and one active project, compare portable SSD and backup-drive roles without treating one device as the complete backup.

Compare portable storage roles

Shared work

NAS or shared capacity

When several editors need the same media, evaluate shared storage separately from the local and offsite copies in this result.

Compare NAS options

Continuity

Power protection

Protect the workstation, network and storage target from interruption during an important transfer or backup job.

Compare UPS options

JavaScript is off. The calculator cannot update, but the method is still usable: multiply Mbps by 0.45 for decimal GB per recorded hour, total each source, then apply the visible percentages and copy counts described below.


How to read the three results

Active

Fast working capacity

Originals plus project assets, masters and any proxies, optimized media, previews or cache you intend to keep online—then enough capacity to preserve the free-space percentage you selected.

Protected

Local backup capacity

An additional local copy of the protected set. By default the calculator excludes proxies and cache because they can be rebuilt; change that setting if regeneration time matters more than capacity.

Separated

Offsite or archive capacity

A copy away from the active volume and local backup destination. The calculator reports it separately so “three copies” does not become three folders on one physical device.

Protected camera originals and project assets are separated from regenerable proxies, cache, and previews before storage planning
Original TPTK workflow illustration: protect what cannot be recreated; decide deliberately whether rebuilding proxies and cache is cheaper than backing them up.

Do not size storage by “4K,” “6K” or “8K” alone

Two cameras can both record 4K while writing dramatically different amounts of data. In Sony’s ILCE-6700 documentation, for example, XAVC S 4K settings range from 60 to 200 Mbps, while XAVC S-I 4K settings shown on the same official page reach 600 Mbps. Blackmagic’s published 30 fps 6K BRAW storage rates also vary by compression ratio. Frame rate, bit depth, chroma sampling, compression mode and scene complexity can all matter.

For 8K footage, use Custom bitrate. There is no universal 8K storage rate, so this calculator intentionally does not invent a generic 8K preset. Find the Mbps or storage-per-minute figure for the exact camera, recorder, frame rate and codec mode you will use, then enter that documented rate.

The safest input is the exact bitrate or storage rate for the recording mode you will actually use. Presets here are starting points tied to named official source rows—not generic accuracy claims about every device.

Methodology and formulas

1. Convert each source to decimal gigabytes

original GB = bitrate in Mbps × recorded hours × 0.45 × source quantity

Why 0.45? There are 3,600 seconds in an hour and 8 bits in a byte: Mbps × 3,600 ÷ 8 ÷ 1,000 = GB/hour. The result uses decimal GB/TB, the convention normally used on drive packaging.

2. Classify data by whether it can be recreated

protected set = originals + project/audio/stills + finished masters
regenerable set = proxies + optimized media + cache/previews

Adobe describes proxies as lower-resolution copies linked to full-resolution originals and says media-cache files can be deleted and recreated. That supports a practical distinction, not a command to discard anything. If your deadline makes regeneration costly, include generated media in backups.

3. Preserve free space correctly

active provisioned GB = active project GB ÷ (1 − free-space percentage)

At 20% preserved free space, a project may fill only 80% of the volume. Dividing by 0.8 is more precise than merely adding 20%.

4. Keep copies physically meaningful

Local and offsite capacities are calculated from the protected set as separate destinations. CISA’s 3-2-1 guidance describes three copies, two media types and one offsite. NIST likewise treats backup scope and frequency as risk/criticality decisions and identifies offsite storage as good practice. Neither source says three folders on one SSD are three protected copies.

Cite, inspect or reuse the data

Citable contribution: TPTK’s component-aware storage model separates protected originals, project assets and masters from regenerable proxies, optimized media, previews and cache, then provisions active, local-backup and offsite capacity as three distinct outputs.

Suggested attribution: The Pro Tool Kit, Video Editing Storage Calculator: 4K, 6K and 8K Footage, version 1.0, August 10, 2026.

Stable deep link: https://theprotoolkit.com/video-editing-storage-calculator/#cite

Dataset v1.0.0 · source rows checked August 10, 2026 · CC BY 4.0 applies to TPTK’s original selection, arrangement, conversions and notes; manufacturer facts remain attributable to their publishers. Changelog: initial release with 24 Apple, Sony and Blackmagic setting rows.

Primary sources behind the presets

Apple ProRes

Apple’s official ProRes page publishes target data rates at specified resolution/frame-rate conditions. The dataset preserves those conditions in each row.

Sony XAVC

Sony’s ILCE-6700 Help Guide provides bitrate options for named XAVC S and XAVC S-I 4K recording settings.

Blackmagic RAW and ProRes

Blackmagic’s camera technical specifications publish storage rates based on 30 fps and flag constant-quality figures as indicative.

Proxy behavior

Adobe’s ingest and proxy workflow explains the relationship between full-resolution originals and lower-resolution working copies.

Cache behavior

Adobe’s media-cache guidance documents cache files and their recreation after deletion.

Copy strategy

CISA’s backup-options guide and NIST SP 800-34 Rev. 1 inform the separated-copy model.

Need a shared post-production storage workflow?

If you are moving from individual drives to a shared NAS, review/approval workflow, automated backup or documented handoff process, TPTK can help map the system before you buy hardware.

Turn the plan into a repeatable production system

TPTK can help connect intake, file naming, proxy generation, review links, archival triggers and backup checks into one documented workflow for a creator business or production team.

Discuss workflow automation

Frequently asked questions

How much storage does one hour of 4K video use?

It depends on bitrate, not the 4K label alone. At 100 Mbps, one recorded hour is about 45 decimal GB. At 600 Mbps, it is about 270 GB. Add each camera or source separately.

How do I calculate storage for 8K footage?

Use the Custom bitrate option and enter the documented Mbps for the exact 8K camera, recorder, codec, frame rate and quality mode. There is no universal storage figure for 8K resolution alone.

Should proxies be included in backup capacity?

Not always. Proxies are derived from the originals and can normally be regenerated, so this calculator excludes them from protected copies by default. Include them when the time or compute cost of rebuilding would disrupt delivery.

Why separate active, local backup and offsite storage?

They solve different problems. Active storage supports editing performance; a local backup provides another nearby copy; an offsite or archive copy protects against a problem affecting the work location or local devices.

Are the codec presets accurate for every camera?

No. Each preset is tied to a specific manufacturer-published setting and condition. Use the custom-bitrate field when your camera, recorder, frame rate or quality mode differs.

Does the calculator upload project information?

No. The calculation and JSON downloads run locally in your browser. The page does not submit your source names, durations or capacity assumptions to TPTK.


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